Tom Schneller  

Film music scholar

 




 

Sweet Fulfillment: Teleological Genesis and Motivic Allusion in John Williams's Close Encounters of the Third Kind
The Musical Quarterly (2014)

Easy to Cut: Modular Form in the Film Scores of Bernard Herrmann
Journal of Film Music 5.1-2 (2012), pages 127-151

Unconscious Anchors: Bernard Herrmann's Music for Marnie
Popular Music History Vol.5, Number 1, (2010), pages 55-104

Short Phrases and Intervallic Cells in the Film Music of Bernard Herrmann
Doctoral Dissertation, Cornell University, 2008

Review of Kathryn Kalinak How the West Was Sung: Music in the Westerns of John Ford
Journal of Film Music Vol.2, Numbers 2-4, Winter 2009, pages 279-82

Review of Jack Sullivan, Hitchcock's Music
Journal of Film Music Vol.2, Number 1, Fall 2007, pages 87-93

Review of David Cooper, Bernard Herrmann's Vertigo: A Film Score Handbook
Journal of Film Music Vol.2, Number 1, Fall 2007, pages 75-78

Death and Love: Bernard Herrmann's Score for Vertigo
Cuadernos de musica, artes visuales y artes escenicas, Vol. 1, Number 2 (April-September 2005), pages 189-200