Tom Schneller
Film music scholar
Sweet Fulfillment: Teleological Genesis and Motivic Allusion in John Williams's Close Encounters of the Third Kind The Musical Quarterly (2014)
Easy to Cut: Modular Form in the Film Scores of Bernard Herrmann Journal of Film Music 5.1-2 (2012), pages 127-151 Unconscious Anchors: Bernard Herrmann's Music for Marnie Popular Music History Vol.5, Number 1, (2010), pages 55-104 Short Phrases and Intervallic Cells in the Film Music of Bernard Herrmann Doctoral Dissertation, Cornell University, 2008 Review of Kathryn Kalinak How the West Was Sung: Music in the Westerns of John Ford Journal of Film Music Vol.2, Numbers 2-4, Winter 2009, pages 279-82 Review of Jack Sullivan, Hitchcock's Music Journal of Film Music Vol.2, Number 1, Fall 2007, pages 87-93 Review of David Cooper, Bernard Herrmann's Vertigo: A Film Score Handbook Journal of Film Music Vol.2, Number 1, Fall 2007, pages 75-78 Death and Love: Bernard Herrmann's Score for Vertigo Cuadernos de musica, artes visuales y artes escenicas, Vol. 1, Number 2 (April-September 2005), pages 189-200
Unconscious Anchors: Bernard Herrmann's Music for Marnie Popular Music History Vol.5, Number 1, (2010), pages 55-104 Short Phrases and Intervallic Cells in the Film Music of Bernard Herrmann Doctoral Dissertation, Cornell University, 2008 Review of Kathryn Kalinak How the West Was Sung: Music in the Westerns of John Ford Journal of Film Music Vol.2, Numbers 2-4, Winter 2009, pages 279-82 Review of Jack Sullivan, Hitchcock's Music Journal of Film Music Vol.2, Number 1, Fall 2007, pages 87-93 Review of David Cooper, Bernard Herrmann's Vertigo: A Film Score Handbook Journal of Film Music Vol.2, Number 1, Fall 2007, pages 75-78 Death and Love: Bernard Herrmann's Score for Vertigo Cuadernos de musica, artes visuales y artes escenicas, Vol. 1, Number 2 (April-September 2005), pages 189-200
Short Phrases and Intervallic Cells in the Film Music of Bernard Herrmann Doctoral Dissertation, Cornell University, 2008 Review of Kathryn Kalinak How the West Was Sung: Music in the Westerns of John Ford Journal of Film Music Vol.2, Numbers 2-4, Winter 2009, pages 279-82 Review of Jack Sullivan, Hitchcock's Music Journal of Film Music Vol.2, Number 1, Fall 2007, pages 87-93 Review of David Cooper, Bernard Herrmann's Vertigo: A Film Score Handbook Journal of Film Music Vol.2, Number 1, Fall 2007, pages 75-78 Death and Love: Bernard Herrmann's Score for Vertigo Cuadernos de musica, artes visuales y artes escenicas, Vol. 1, Number 2 (April-September 2005), pages 189-200
Review of Kathryn Kalinak How the West Was Sung: Music in the Westerns of John Ford Journal of Film Music Vol.2, Numbers 2-4, Winter 2009, pages 279-82 Review of Jack Sullivan, Hitchcock's Music Journal of Film Music Vol.2, Number 1, Fall 2007, pages 87-93 Review of David Cooper, Bernard Herrmann's Vertigo: A Film Score Handbook Journal of Film Music Vol.2, Number 1, Fall 2007, pages 75-78 Death and Love: Bernard Herrmann's Score for Vertigo Cuadernos de musica, artes visuales y artes escenicas, Vol. 1, Number 2 (April-September 2005), pages 189-200
Review of Jack Sullivan, Hitchcock's Music Journal of Film Music Vol.2, Number 1, Fall 2007, pages 87-93 Review of David Cooper, Bernard Herrmann's Vertigo: A Film Score Handbook Journal of Film Music Vol.2, Number 1, Fall 2007, pages 75-78 Death and Love: Bernard Herrmann's Score for Vertigo Cuadernos de musica, artes visuales y artes escenicas, Vol. 1, Number 2 (April-September 2005), pages 189-200
Review of David Cooper, Bernard Herrmann's Vertigo: A Film Score Handbook Journal of Film Music Vol.2, Number 1, Fall 2007, pages 75-78
Death and Love: Bernard Herrmann's Score for Vertigo Cuadernos de musica, artes visuales y artes escenicas, Vol. 1, Number 2 (April-September 2005), pages 189-200